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inspiration & influence poetry

Poetry in the heart of Tokyo

June 21, 2014

Meiji Jingu

When in Japan recently, I visited Meiji Jingu, a Shinto shrine near Shibuya, dedicated to the Emperor Meiji and Empress Shoken and established in 1920. Surrounded by a forest of thousands of trees threaded through with peaceful streams, the shrine area is a sacred sanctuary in the heart of Tokyo.

Poetry is also at the heart of Meiji Jingu. Both Emperor Meiji and Empress Shoken were poets, writing the traditional waka, Japanese poems of 31 syllables (5-7-5-7-5-7). The divine virtues of the Emperor and Empress are celebrated through their poetry.

Visitors can draw a poem from 20 specially selected poems, with English translation and explanation, from the “Omikuji” (poem drawing) box in front of the main shrine building. It is a special way of keeping the spirit of the Emperor and Empress alive in the shrine itself through their poetry.

OmikujiMy special poem:

‘Ever downwards water flows,

But mirrors lofty mountains;

How fitting that our heart also

Be humble, but reflect high aims.’

Empress Shoken –

 

Shinjuku Gyoen

More information about the shrine and the Waka poetry by Emperor Meiji and Empress Shoken can be found here: “About Meiji Jingu“.

inspiration & influence

Seeing stars

February 3, 2013
Orion Nebula

Orion Nebula – by the Smithsonian Institute via flickr

These words are running around my head…

Look at the stars,

Look how they shine for you,

And all the things that you do.

Yes, they are from a song from a while ago, “Yellow” by Coldplay but it’s suddenly on high rotation in my head and I woke up to these words running through me in the middle of last night. They are beautiful, speak of possibility, potential, opportunity. They are sad and make me think of my brother and what I didn’t get to say to him when he couldn’t see the light shining any more. They are words of encouragement to continue to see the light and positives ahead.

These words sit by my desk…

Perhaps they are not the stars but rather openings in heaven where the love of our lost ones pours through and shines down upon us to let us know they are happy

This is an Eskimo proverb apparently. Even before I came across this quote, it was how I liked to think of the stars. I found myself in my deepest moments of grief looking up into the stars with some sense of connection and comfort. It’s something I still do.

These stars shine for me…

I wrote about my seven stars a few years ago when I was just starting out here. These stars still shine for me. Weekly, daily, their words and projects influence and guide me. Here are some recent thoughts on their influence:

Shanna Germain wrote a brilliant post ‘Do the Words: On (Writing) Productivity‘ based on sitting and writing in a cafe while overhearing a conversation about all the barriers the speakers faced to writing. She tweeted:

People at next table spent 2 hrs kvetching about writer’s block. In that time, I wrote 827 words, edited 2 stories. Shut up. Do the words.

Shanna cuts through, does the words, gets on with it and through the resistance and is such a great example of writing productively. This is a message I will be remembering this year: stop talking (or blogging) about it and just get on with it!

Susannah Conway. What can I say, I am a huge fan and cannot capture just how influential Susannah has been to me. This recent post, ‘From the Heart‘ just floored me as Susannah reflected so openly on both the personal toll of her work effort and her sense of being alone; my heart and many others went out to her in return. This post demonstrated, in the deepest way, the sheer vulnerability and honesty that is ‘Blogging from the Heart’, why it is so valuable and how the online community of the heart can provide so much support to each other.

Danielle LaPorte’s ‘Desire Map‘ project and current posts continue to cut through to new thinking. Elsewhere, I was reading about email overload this morning and rules about managing this in the workplace in terms of redefining when people can/can’t email and should/shouldn’t read emails. Part of me is thinking, ‘good idea, we need to manage this better in my workplace‘ and another part of me is thinking, ‘well, what about personal choice and the customer, who might want an answer now?’ Shortly after, I read this post from Danielle, Bag your Boundaries. Wham! Love that fresh, pure, direct thinking.’ You can have both, Danielle says:

You can protect yourself and be open-hearted.

Cool! So I am now thinking about how I can do this in my workplace from a different perspective altogether.

And then there’s Chris Guillebeau who probably started all this; through him I linked up with Danielle and then through to Susannah. He has helped me make so many connections – people, thoughts, plans – and is still out there building empires, fostering world domination and writing posts that, like Danielle, make me look at things from a non-conformist standpoint. Take for example, ‘Changing the System’:

If you want something to change, therefore, show us an alternative. Show us a new way of life.

You are the role model. Not the politician, not the celebrity, not the evangelist. Don’t throw up your hands in resignation, and don’t look for another leader.

It’s all on you, in other words. No pressure.

Whew! No pressure indeed! But it’s so true. It’s easy to complain; it’s easy to give up or to look for someone else to lead but the solutions come from taking responsibility and working through to find another way. My work role as a leader is about making a difference. This is the exactly the way I need to lead: finding the alternatives and being the role model, helping us to work through them.

So, I am seeing stars all around me, a constellation of words, thoughts and song that gather and cluster to propel me to also shine.

What stars are you seeing? What’s making you shine?

creativity introversion

Gems #18 Creating sacred space

October 9, 2012

Living and working away from home for a while recently has made me reflect on space, the space I inhabit, the space I share, the nexus between partnership and independence, and between time together and time alone.

As an introvert, who is in a highly interactive, people focused leadership role, I need time alone to re-energise, ground myself and get in touch with my creative side. This time enables me also to feed my creativity with valued reading of books, blogs and other sources to shape my own developing thoughts and ideas. Or to interact with creative others through social media and blogs to also link and inspire.

It all comes back to making sacred space. Here are some gems on creating sacred space:

Defining your sacred space

Todd Henry, author of ‘Accidental Genius’ makes the case for having a sacred space and encourages us to find our ‘bliss station’ or:

a physical place where your only job is to pursue the things that ensure your sense of wonder and prod you towards the unexplored.

Quoting Joseph Campbell from interviews collected in ‘The Power of Myth‘, Henry celebrates the power of this type of sacred space in ‘creative incubation’:

[A sacred place] is an absolute necessity for anybody today. You must have a room, or a certain hour or so a day, where you don’t know what was in the newspapers that morning, you don’t know who your friends are, you don’t know what you owe anybody, you don’t know what anybody owes to you. This is a place where you can simply experience and bring forth what you are and what you might be.

Love that place and that thought, and holding onto it. Read Todd’s great article for more thoughts on sacred space and its value.

‘A Room of One’s Own’ – Virginia Woolf

One of my favourite books that sits on my rolltop desk always, ‘A Room of One’s Own’ makes a clear case for both physical and intellectual space to write especially for women. Walking us through the history of women and those who have paved the way in making space for creativity, Virginia Woolf’s classic book is full of gems that remind us of the value of space to be able to create and express one’s unique vision and work:

Therefore I would ask you to write all kinds of books, hesitating at no subject however trivial or however vast. By hook or by crook, I hope that you will possess yourselves of money enough to travel and to idle, to contemplate the future or the past of the world, to dream over books and loiter at street corners and let the line of thought dip deep into the stream. For I am by no means confining you to fiction. If you would please me – and there are thousands like me – you would write books of travel and adventure, and research and scholarship, and history and biography, and criticism and philosophy and science. By so doing you will certainly profit the art of fiction. For books have a way of influencing each other. Fiction will be much the better for standing cheek by jowl with poetry and philosophy.

More quotes from Goodreads here from ‘A Room of One’s Own’, or dive back into this wonderful essay and read it in all its sinuous and intelligent entirety.

And finally, my own poem celebrating sacred space:

Poem without silence

I want to write a poem
without the word silence.
The allure of its sleek long vowel
fights to identify this
late night sensation,
wise without sound.

After the traffic
punctuating rain,
the music I become,
beyond the reach of reading
all that marches past my eyes,
the exterior collapses
to a page to hold
the chatter
I confine.

And there though this loophole
of assonance or in its role
defining that breathless space,
the secret finds its way,
this pleasure I make.

creativity

On Creativity

August 23, 2012

Some gems about gathering creative ideas and being productive:

In ‘Capturing Your Creative Ideas‘, Victoria Smith outlines a range of strategies, both digital and non-digital, for capturing and organising creative ideas. As ‘ideas and creative inspirations are our currency’, Victoria provides many practical suggestions for how to collect and curate our inputs and thoughts so we are ready to move when the opportunity arises.

In ‘Writers, Inspiration and the Ideas we Collect‘, Benison O’Reilly writes about my favourite bird, the satin bowerbird, and the male bowerbird’s penchant for gathering blue objects into his bower to attract his female mate. Benison captures how, like the bowerbird, writers gather what attracts them and the ideas that come together. As Benison says, ‘All writers need to be bowerbirds’, open, alert, looking for what connects us and making the links.

In ‘Creating Perfect Solitude for Creative Focus‘, Leo Babauta provides suggestions for how to find the right time to create, how to schedule it, clear the desk, disconnect and generally keep the creative environment simple and productive.

What gems do you have on creativity?

creativity poetry writing

Gems #14 Writing Poetry

March 26, 2011

 Some gems on writing poetry whether you are just getting started or an old hand needing inspiration and direction…

Writing the Life Poetic: An invitation to read and write poetry – Sage Cohen

Poetry is often seen as a rarefied art on the fringes of life; even when you are a poet yourself, you can feel like this. Sage Cohen’s Writing the Life Poetic takes poetry from any pedestal it might have ended up on, and brings it firmly back into the central context of your life. The book is beautifully written and gorgeous to hold, with quirky graphics through-out. It feels like you are being taken by the hand and gently led back to the heart of poetry and its rightful place for you. As Sage points out in the introduction:

Poetry gives us an opportunity to experience our lives twice. First, as it happens, in real time. And second, in heart time. The poem gives us a kind of cosmic canvas to savour a moment, make sense of it, put a little frame around it, and digest our experience more completely.

Especially for people who love poetry and might have lost it somewhere along the way, Writing the Life Poetic helps you discover or rediscover the power of poetry, its place in everyday life and how to engage practically with this creative space. The book is full of advice such as starting where you are, showing versus telling, working with the senses, using imagery, reading poetry, understanding how stanzas work, revision, writing rituals, creating a system for poetry practice and so much more. Each chapter is short and focused with  exercises to practically apply the skills and concepts discussed.  It’s like a sensitive guidebook to take you through a deep engagement with poetry from wherever you are starting or recommencing your journey.

Writing Personal Poetry: Creating poems from your life experiences – Sheila Bender

I found this brilliant book in my local library and then had to have it so I could read it more fully and over time. The introduction ‘Poetry is always a good idea’ had me saying, ‘Yes, yes!’ as I read through. Sheila quotes poet Louise Gluck saying that:

writing a poem begins with a haunting, as if the finished poem already exists somewhere. In this way…the poem is like a lighthouse, “except that, as one swims toward it, it backs away.”

Coming from a similar space as Sage Cohen, Sheila Bender situates poetry in the context of daily life, commenting that poets also ‘cook, clean and take out the garbage..’ and then identifies how finding that writing about the ‘lighthouse-that-already-is’ can be part of this daily life.

Sheila’s focus is personal poetry, why we write it, how to empower yourself to write, acknowledging your poetic intelligence, getting the confidence to start, the value of reading poetry, tools for writing poetry and the poet’s stance. There are some excellent poems in progress included in this book from Sheila’s students’ work. They show how a poem progresses from an idea to a draft to a revision to a fully realised piece of work. I loved these students’ poems and what they showed about the progress and realisation of their art. There is much to be learnt from this book: especially heart for the journey and specific processes and techniques for writing personal poetry.

Creating Poetry – John Drury

Creating Poetry  is a little more technical in approach and this a useful complement to the above two books. It’s an accessible introduction to poetic terms like metaphor, assonance, simile, alliteration, rhyme and enjambement. These terms are explained with clear examples. The book also provides an excellent summary of poetic forms and rhyming patterns: ghazal, haiku, pantoum, sestina, villanelle and sonnet, for example, again clearly set out and explained.

The book takes you through the stages of preparation, language, the senses, shaping, patterns and traditions, voice, sources of inspiration and the revising and finishing processes. Full of practical exercises that help you engage as you read, the book is an accessible reference for the more technical side of writing poetry.

All three of these books have a central place on my poetry writing bookshelf and are heavily underlined. They are guidebooks I visit regularly to help me orient my poetic journey, to keep me moving positively ahead and to ensure I have courage and skills for the writing process.

What are your recommended guidebooks for writing poetry?

Image by alexschwab  from flickr and used under a Creative Commons license with thanks: One poem of thousands located on the longest poetry wall in the world in Changde, Hunan Province, China.

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creativity planning & productivity writing

Gems #13 Time to write

January 30, 2011

I’m working on my annual review at present, reviewing 2010 and setting priorities for 2011. A consistent theme for me is about finding time to write. I work full-time in a very busy leadership role in the vocational education sector. I am passionate about my work and making a difference. At the same time, I am committed to creativity, writing and my personal goals. Making the time and space to write is a constant challenge.

Here are some gems I’ve come across recently, and in the past, about making time to write and basically getting on with it.

Anne Lamott’s article, Time Lost and Found, hit me pretty hard mainly because it rang so true. It’s about priorities in life, what matters and how we fritter away time and miss the important things. Her main message is that you need to make time for writing and other priorities and that this time can be found by having a good look at how you live. Twitter and other social media, television, cleaning, work and the gym are mentioned as areas where we might be losing time that we could allocate to our creative priorities such as writing. Anne says, in essence, that we do have this precious time and we can find it, though it might take some work to recover:

I’ve heard it said that every day you need half an hour of quiet time for yourself, or your Self, unless you’re incredibly busy and stressed, in which case you need an hour. I promise you, it is there. Fight tooth and nail to find time, to make it. It is our true wealth, this moment, this hour, this day.

An excellent article in last weekend’s Sydney Morning Herald Spectrum (January 22-23) by Australian author and teacher, Sue Woolfe, encourages us just to get on with it. Unfortunately, I couldn’t find the article online anywhere to link to but I can share the main points. Entitled,  ‘Don’t think about it – just keep scribbling’, Sue says that the way you need to work to write a novel is:

…to find a way of thinking that is mocked in our culture but that is all in the day’s work for artists, composers and writers.

This is a way based on discipline: reading fiction for an hour a day; writing for at least an hour a day; not rereading, editing or formulating and not sticking to a subject, character or plot when first writing. The whole focus is the discipline of writing and then later imposing other aspects such as narrative technique, plot structure and editing. In summary:

The whole endeavour is to lose self-consciousness.

However, it starts with those two fundamental ingredients: read fiction for an hour a day and write for at least an hour a day. Linking back to Anne Lamott’s article, the trick is to find this time by managing your priorities.

Some of my favourite practical articles on making time to write are by Australian blogger and author, Joanna Penn. Joanna lives and breathes this way of working and writing to come up with real outcomes such as completing her first novel, Pentecost and receiving a strong following and awards for her highly successful blog, The Creative Penn.

Joanna’s two posts: ‘On efficiency or how to get everything done as a multi-tasking writer,’ and ‘What will you give up to write your book?’ are perfect reads on the issue of writing and time and are grounded in practicality. Joanna’s tips include getting rid of the TV, sleeping less, maximising travel time, being organised and investing in education. Setting clear goals and priorities and ‘loving the process’ are also right up there as key motivators. 

As in Anne Lamott’s article, the emphasis is on the value of the outcomes spent on writing and other creative activities vs spending too much watching TV and engaging in an uncontrolled way with social media such as twitter. And as in Sue Woolfe’s article, the discipline to carry it all through is critical.

Now it’s back to my annual review with these valuable thoughts in mind. How are you making time to write this year?

Image, Time disappears by jtravism  from flickr and used under a Creative Commons license with thanks

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