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“You are the authority on you” – a review of Danielle LaPorte’s ‘White Hot Truth’

April 4, 2017

white hot truth

 

“I’m a seeker who writes about what I find. And maybe, on just the right day, I can help you flatten your learning curve. If I’ve got anything to say, it’s this: you are the authority on you.”
Danielle LaPorte – White Hot Truth: Clarity for keeping it real on your spiritual path from one seeker to another

I am a huge fan of Danielle LaPorte. I love her clear, crisp, grounded, heart-filled way of talking and thinking. Her work is concurrently suffused with spirit and light whilst being grounded in experience and day to day living.

She speaks directly to my heart, and I’ve been listening for nearly 10 years now since I first came across her work when I was somewhat completely brought to my knees with the open-hearted surgery that is grief.

Back then, Danielle’s web-site was called White Hot Truth, something I needed at a time when each day had the consistency of mud I tried to swim through. “Yes, I’ll have some of that ‘White Hot Truth’ please“. I read and followed, a gentle disciple of the heart, as Danielle spoke to me of hope and self-compassion.

I’ve since followed her work and when I saw that White Hot Truth was coming back in another form as a book, I signed up to read ahead, review and be part of the ‘White Hot Truth’ launch team. I knew from experience this would be something very special, a honed diamond sparkling its message for me and others to catch.

The light in White Hot Truth

White Hot Truth is this diamond, each chapter a facet of light, grounded in a memoir-kind of reflection, distilling experience that heads straight for the heart. I alternated between reading on-screen and listening to Danielle’s voice via the audiobook. This made the reading process all the richer as I shifted between my voice engaging directly with the words, and Danielle’s voice reading her own.

The book traverses so many realms – it’s deep and wide but its terrain is clear and sweeps away any barriers to understanding in its path. The essence of the book is to become aware of the lies or unhelpful blocks that may have found their way into our trusting hearts including the “really big lies” of inadequacy, authority and affiliation. And to recognise that we are able to take in so much influence and so many ideas and still be the authority on ourselves, the one to make the decisions with wisdom, the one to set boundaries with an open heart.

Some quotes from White Hot Truth

Danielle draws from wide sources to find the most perfect quotes to place strategically. And then sprinkled through like stars sending their energy through the text, there are Danielle’s own quotable quotes and truthbombs.

A few of my favourites of so many I have highlighted:

On flow: “It was too much flow and not enough restraint. I was a river in need of some riverbanks.”

On forgiveness: “The heart runs on its own clock, untethered from calendar days or years.”

On self-help: “The best self-help is self-compassion.”

On approval: “Working for approval takes up a lot of energy, and it can be a huge distraction from seeing the gifts that you already hold in your hands.”

Wisdom, paradox and authenticity in White Hot Truth

A key piece of wisdom threaded through-out is that of paradox. White Hot Truth shows how with clarity, you can take both perspectives and find a path. For example, you can lead with your heart and your head. You don’t have to choose. How many of us have shut down one side of the equation because we fear losing the other, when really it’s a false dichotomy. I know I have. This book opens up paradox as a kind of wisdom.

I read White Hot Truth concurrently with Marrow by Elizabeth Lesser. In Marrow, Elizabeth talks about ‘Authenticity Deficit Disorder’, how we tiptoe around those things we really want to say or be, those things that really matter as we go through our days. It seems that sometimes it takes a tragedy, serious illness or terrible grief to make us go there to the marrow. And even then we can manage to side step it.

In White Hot Truth, Danielle speaks directly, supporting us to honour our authenticity and love who and what we are. She encourages us to recognise where we may have inadvertently blunted our ability to cut through. She shows us how to speak up without fear, through being a voice and model for how to speak up.

Being real and who we are as influence

Mark Nepo in The Book of Awakening talks about the energy of being real, of ‘mana’, of the extraordinary power of being who we are to influence others:

In this way, without any intent to shape others, we simply have to be authentic, and a sense of ‘mana’, of spiritual light and warmth, will emanate from our souls, causing others to grow – not towards us, but towards the light that moves through us.

White Hot Truth made me smile with recognition and more than once, I held my heart as my eyes filled with tears as something broke through, probably self-compassion.

At times laugh-out-loud funny, other times shocking and sobering, it’s a ball of bright authentic light offered as a guide from one seeker to another to illuminate our path. I’m so grateful for its warm and passionate influence. Like ‘The Hierophant’ card in tarot, this book is a teacher and a reminder that:

….we are not alone; we can actually take someone else’s advice and methods and recast them to meet our own needs

Playing with Symbols, Monicka Clio Sakki

In fact White Hot Truth encourages us to do exactly that and for you to be the authority on you. I know it will shape and guide my own inspired path now and for years to come.

Review and Publication notes:

White Hot Truth will be published on 16 May 2017 and is available on pre-order. Because I am part of the White Hot Truth Launch Team, I got the advanced digital copy. You can get a chance to listen to the book before it’s in stores with the free audio book. Find out how here: daniellelaporte.com/whitehottruth/

Keep in touch & free ebook on the ’36 Books that Shaped my Story’

You can download my free 95-page ebook on the 36 Books that Shaped my Story – just sign up with your email address in the box to the right or below You will also receive updates from Quiet Writing and its passions. This includes personality type, coaching, creativity, writing, tarot and other connections to help express your unique voice in the world.

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If you enjoyed this post, please share via your preferred social media channel – links are below.

You might also enjoy:

Influence, gratitude and choosing to shine – Danielle LaPorte

 

20 practical ways of showing up and being brave (and helpful)

Intuition, writing and work – eight ways intuition can guide your creativity

white hot

creativity inspiration & influence reading notes

Influence, gratitude and choosing to shine – Danielle LaPorte

February 25, 2017

A combination of influences helps us shine and sing our unique song. It was a pleasure to meet one of my shining stars of influence, Danielle LaPorte.

Influence over time

I have been following Danielle for some time now. After my brother’s death in 2007, the world turned upside-down and I was searching for meaning in many places including online.

I came across Danielle LaPorte through her book, Style Statement co-authored with Carrie McCarthy. I worked through the book assiduously and explored Danielle’s online presence at her website then called White Hot Truth.

 

Danielle LaPorte books

Through this work, I learned to better understand my key style drivers, my passions, what makes me tick, why I like what I like, why it’s important and how to cut through the restrictive perceptions that hold me back.

The entrepreneurship product The Firestarter Sessions appeared not long after, a guide for soulful guide to creating success that I dived into. What inspiration: white hot truth, passions, success on your own terms, entrepreneurship.

For the Sacred Creative type that I found myself to be from working through ‘Style Statement’, this was exciting, revolutionary and passionate material.

Advice I love:

Here is some of the advice from Danielle that I have loved over the years:

About Going with the flow:

Going with the flow isn’t about being passive or lazy. It’s not about just letting things happen “to you”. It’s not aimless wandering. It’s a co-creative act.

“The flow” is the ocean of cosmic intelligence. It’s the substance that carries the whole shebang. The flow is life energy itself.

Going with the flow is responding to cues from the universe.

When you go with the flow, you’re surfing Life force. It’s about wakeful trust and total collaboration with what’s showing up for you.

And from The suck factor of life balance, + passion as a cure to stress: one of my all-time favourite posts which questions the notion of work/life balance:

This is not a balanced life. But it works. And the more I pursue my passions, the more uncomplicated my life gets, actually. There’s not much in my life that I resent. And if resentment builds, I’m swift to get it off my plate. It’s not the imbalance-ness that stresses me, it’s doing meaningless things that aren’t taking me where I want to go.

Given passion is my word of the year – I need to be going back to this one and apply it. Perhaps stick the post on the wall or somewhere I can see it as a reminder! It’s all about the passion.

And this pure gem from Bag your Boundaries

You can protect yourself and be open-hearted.

Well yay to that! I so love that fresh, pure and direct thinking. I need to keep listening, going back to it and applying it like a salve.

The Desire Map and Core Desired Feelings

I’ve worked through the brilliance of The Desire Map and identified my Core Desired Feelings to help clarify my focus. It’s all about getting what you most want by defining how you want to feel as the roadmap.

I included my Core Desired Feelings in my Welcome to Quiet Writing as the summary of my passions and focus and how I want to feel:

Core Desired Feelings

And as I am writing this, I am realising more why passion is my word of the year. It underlies all of this and the clues as to how to get there: setting boundaries, being open, with working out how I want to feel as the guide. I need to be driven by passion not concepts of work life/balance and yes, I can both protect myself and be open-hearted. And not be afraid to be revolutionary in what I think and how I work.

Danielle comes to Sydney and I’m listening

So when I heard Danielle was coming to Sydney with the support of the Wake-Up Project, I signed up straight away for the opportunity to hear and see her live. Months went by and then the day came. Australian musician, Clare Bowditch, kicked off the night with her own brand of big-hearted music, creativity and fun with all of us soon singing and finding our collective voice.

Then Danielle stepped onto the stage to be her own kind of magic. That is what I love about her – she is her own person, unique, authentic, revolutionary and hard to define – and she encourages us to be the same.

The most amazing thing was how Danielle held the stage and the space with her presence and pure connection with the audience. After some initial thoughts, she encouraged us to give her a word, a thought and then would riff on that. It was like a musical experience, flowing, creative, focused and wise.

I was too busy listening and focusing to take lots of notes but here are some insights.

Key takeaways and riffing thoughts:

Setting boundaries vs barriers

Just as the quote above about openness and boundaries reminds us: it’s OK to set boundaries and they don’t need to be barriers. They are an act of self-compassion in a world where so much is being asked of our energy. To be there for others, we need to be looking after ourselves and setting clear boundaries is part of that. It’s saying things like: “This is OK, that is not OK.” “I’m making this space and time to do this writing/walking/xxxx.” “I’m not doing that/going there because it’s toxic/not working for me/is a waste of time.”

In setting boundaries, the mental fog goes away and we are rooted in self-love and self-compassion. And we can focus.

Memorable thought from the night:

Unbotherability is the fruit of the spirit.

Loving yourself may look unloving to others

Danielle talked about three key lies and from ‘Leaving the church of self-improvement‘ they are:

The Lie of Inadequacy: You were born not quite good enough.

The Lie of Authority: Outside authority validates your worth.

The Lie of Affiliation: Groupthink is good think.

Things we tell ourselves may run ourselves down. Things others tell us, the influences of church and state, may mean we act on what others may think, want or demand of us, if unspoken. Acting on our own truth and self-love may look unloving but it’s what we need to do for authenticity and to get our work done.

Self-compassion

Feel the pain and keep showing up. It’s about befriending pain and weakness, being kinder to ourselves and not letting that stop our work in the world. It’s being supportive of our own work and creativity and how it’s forming in us. Like thinking about what we say when we speak to ourselves looking in the mirror. And honouring the need to keep showing up – keeping blogging, writing that draft, working that intuition, connecting with others. And then showing up.

Having goals with soul and our Core Desired Feelings as an anchor

How we go about pursuing things really changes when we work from passion and what we really want.

Memorable thought from the night:

You can’t fight your way to peace.

Core Desired Feelings guide how we work as well as what we are aiming for, with the process and end result aligned.

Being present vs narcissism

Be present, generous with our time and listen. Have a beginner’s mind. Have a prodigal relationship with our own reality – get back to what really matters and counts.

Memorable thought from the night:

There’s an epidemic of women being boundaryless.

Narcissism is a disease of self-worth; being present and having a beginner’s mind is the opposite of narcissism.

Forgiveness

You can’t force forgiveness. It’s more about acknowledging the divine and the consciousness of the other person. That’s something I can work with. More thoughts on that here: What if forgiveness isn’t about forgiving.

Shining light

And then afterwards I got to meet Danielle. We smiled together. She signed my precious dog-eared, worked-through ‘Desire Map’ book. Feeling such a fan-girl, I said, “It’s such a pleasure to meet you!” She noted that my book was an old one and I had been around for a while.

That’s so true. There was so much more I wanted to say but being the introvert that I am, the words don’t always come straight away as I would like them, it’s usually later.

On Instagram afterwards, Danielle puts up an awesome post about people slipping her notes and cards after gigs that she reads them later, usually on a plane. That’s such a beautiful idea for an introvert like me who needs time to think and show gratitude in words, ideally by writing.

And she says:

And I cry. The notes from mothers telling me about their daughters reading my stuff (and how the mom had never heard of me before), those notes slay me. I’m really truly deeply grateful for the gratitude. ▪️ And, my perspective: someone making a change because of something I said/wrote…has microscopically little to do with me and epically everything to do with them. It’s all timing and choice. And courage. It’s all you, babe. All you.

So now, with a little more time, I say:

Thanks Danielle for the clarity, over and over, about myself and my soul goals. You’ve helped me work through them and keep in touch with them over a tough time when I struggled to know myself and my path. And you practically help me to focus each day with my core desired feelings especially now as I transition to a new business and life.

You’ve given me that strategy for passion that a Queen of Swords, INTJ type of girl needs. Though I think anyone really can work better from their passion and authenticity if they really understand it. And that’s become my passion now as I make a new start: working with others to understand their influence and voice their passion and authenticity in the world. And you are so right – it is all about timing, choice, courage, boundaries and self-compassion. This is the time. So thank you for your light to shine the way so I can choose to shine. Terri xx

And some final reflective takeaways

You can be an introvert + express feelings and gratitude.

Find ways to express it that work for you: being more prepared, thinking ahead, notes, cards, blog posts, personal messages.

I need to thank others more for their influence and light to shine my own.

Try and write shorter snappier blog posts – at least sometimes 🙂

Danielle LaPorte and me

Keep in touch

Quiet Writing is now on Facebook – Please visit here and ‘Like’ to keep in touch and interact with the growing Quiet Writing community. There are regular posts on influence, passion, creativity, productivity, writing, voice, intuition, introversion, Myers-Briggs Type Indicator (MBTI) and tarot!

Subscribe via email (see the link at the top and below) to make sure you receive updates from Quiet Writing and its passions in 2017. This includes MBTI developments, coaching and other connections to help express your unique voice in the world. New opportunities coming soon!

If you enjoyed this post, please share via your preferred social media channel – links are below.

You might also enjoy:

Passion: 17 inspiring quotes on doing what you love

Overwhelm, intuition and thinking

Lyrebird: spirit animal for Quiet Writing

inspiration & influence reading notes

Reading Australian women writers in 2017

February 6, 2017

Working out what to read next is always a challenge. But books by Australian women writers are always on my mind and that’s in no small measure due to the Australian Women Writers Challenge.

It’s the sixth year of the Australian Women Writers Challenge and it has done much to change the face of how Australian women’s writing is seen and celebrated.  The challenge is part of a world-wide movement to raise awareness of excellent writing by women, helping readers to “challenge the subconscious stereotypes that govern our choice of books to read.”

The challenge was started in 2012 by Elizabeth Lhuede in response to gender imbalance in books reviewed, in reading preferences and choices and in award representation. It has created a groundswell of readers, reviewers and bloggers making a conscious choice to read, review, recommend and celebrate books written by Australian women.

Promoting Australian women’s writing

I participate to help promote Australian women’s writing. The challenge overall has resulted in thousands of Australian women writers’ books being read and reviewed. It’s led to increased national and international recognition of the initiative’s achievements, built slowly over time. 

The challenge has made me keep my antenna up about Australian women writers’ successes, awards and commendations. The Australian Women Writers Challenge connects with other movements aiming to raise awareness of writing by women – VIDA Women in Literary ArtsThe Stella Prize and #readwomen on twitter celebrating women’s writing. I’m proud to be a Stella Sparks supporter, this year highlighting the impact of nonfiction writing by women on Australian culture and society.

It’s always so fabulous to see Australian women writers succeeding locally and on the world stage including seeing their stories made into movies. Think ‘The Light Between Oceans’ and ‘The Dressmaker’ in recent times.

My experience with the challenge

It was natural for me to want to engage with this challenge from the start.  I have a great love of Australian women’s writing. My Australian literature bookshelf is about 80% women writers. This passion developed naturally during my university literature studies and has endured. It’s my history and lineage.  They are not the only writers I enjoy, but they are the writers closest to my experience with all the local references, influences and language especially as it relates to women.

I also want to contribute to the legacy of writing by Australian women into the future. The challenge has kept my writing heart alive and is an inspiration as I read. It’s a message too that I am also able to write and create, express my stories and find space for my narratives in whatever form. As my heritage, it’s where I can find linkage, possibilities and a springboard for creating.

What’s in it for participants?

I’ve signed up again in 2017 because it’s now an integral part of my reading choices. I continue to be inspired and excited by Australian women’s writing. There are so many Australian women writers’ works I simply would not have noticed or enjoyed if not for the challenge.

Many of these books were picked up because I was looking for Australian women writers in libraries, bookshops and online. I possibly would not have read ‘The Light Between Oceans’, ‘Poet’s Cottage’, ‘The Longing’ or ‘Claustrophobia’ if not for the challenge. These have become some of my favourite reading experiences over the years.

I have deliberately read across genres and the challenge has contributed to my enjoyment of the beautifully science fiction inspired, ‘When We Have Wings’, the Celtic fantasy world of ‘Sea Hearts’ and the weaving medieval narrative of ‘The Scrivener’s Tale’.

I’ve been more aware and excited when Australian women writers have been nominated, short-listed and won awards for their books. And I’ve sought out the books to see why they were celebrated in their achievements, especially ‘Questions of Travel’, ‘Burial Rites’, ‘Mateship with Birds’, ‘All the Birds, Singing’ and ‘The Natural Way of Things.’

How I’ve participated and what I’ve read over the years

In terms of participation, my reading lists are not enormous – around 6 to 7 books a year. (Some participants would have read this many books already this year – at least!) I’ve engaged with the AWW community via social media, tweeting and blogging and contributing in that way. I’ve made some great online connections with Australian women writers and readers. This has enriched my reading life and extended beyond it.

Last year, my reading attention was elsewhere and my AWW focus was a bit light on, so I am keen to engage more in 2017.  I also hope to do better with the reviewing side this year.

Here’s my reading list so far over the past 5 years of the Australian Women Writers’ Challenge:

2012:
Searching for the Secret River: A Writing Memoir – Kate Grenville
Sarah Thornhill – Kate Grenville
When We Have Wings – Claire Corbett
The Light Between Oceans – M L Stedman
Poet’s Cottage – Josephine Pennicott
The Engagement – Chloe Hooper
Disquiet – Julia Leigh

2013:
Fishing for Tigers – Emily Maguire
Sea Hearts – Margo Lanagan
Sydney – Delia Falconer
The Secret Keeper – Kate Morton
The Scrivener’s Tale – Fiona McIntosh
The Longing – Candice Bruce

2014:
Questions of Travel – Michelle de Kretser
Burial Rites – Hannah Kent
Mateship with Birds – Carrie Tiffany
Currawong Manor – Josephine Pennicott
The Fictional Woman – Tara Moss
Claustrophobia – Tracy Ryan
All the Birds, Singing – Evie Wyld

2015:
The Golden Age – Joan London
The Forgotten Rebels of Eureka – Clare Wright
Three Wishes – Liane Moriarty
A Short History of Richard Kline – Amanda Lohrey
The Husband’s Secret – Liane Moriarty
Big Little Lies – Liane Moriarty
The Lake House – Kate Morton

2016:
One Life – Kate Grenville
The Natural Way of Things – Charlotte Wood

It’s been a rich journey and I encourage you to seek out the voices of women writers that excite and sustain you wherever they may be.

What am I planning to read (and review) in 2017?

My list so far for 2017 includes:

The Good People – Hannah Kent
Indelible Ink – Fiona McGregor
Speaking Out – Tara Moss
The Wife Drought – Annabel Crabb
Resilience – Anne Deveson

This year has a special focus on classics and forgotten Australian women writers. Readers are encouraged to review one or two classics, including books “that might once have been popular but which have now fallen out of favour.”  A classics Bingo card will soon be released to encourage people to read books from various decades.

This post, ‘100 Years of Australian Women’s writing online’, outlines the significant efforts to collate digital archives and documents to support the challenge. Elizabeth Lhuede is compiling a list of digital archives and downloads, finding many more classic and forgotten books online than anticipated. So much richness is to be found there!

To find out more about the challenge:

If you want to know about the background to the challenge, you can read about it hereAnd you can sign up for 2017 hereYou can participate to whatever level you can manage and there’s no ‘failing’, just doing what you can (as I do!).

The AWW reading and writing community is generous, diverse and inspiring. You can connect via the blog, through twitter @AusWomenWriters or hashtag #AWW2017, via the vibrant Facebook community or through Goodreads. There are readers, writers and reviewers from all walks of life reading so diversely and widely. The consolidated reviews are excellent and highlight the work of AWW readers and writers across all genres. 

The pleasures and learning are immense, raising awareness of reading choices and celebrating narratives and works by Australian women. It inspires women to find their voice through reading the voices of others. It’s no light-weight endeavour. These are the voices of creative possibilities and I treasure them.

I look forward to another year of reading books by Australian women writers. I hope you’ll join the challenge and connect with the community to inform your reading choices. And a special thanks to Elizabeth Lhuede for initiating the challenge and continuing the leadership of its evolution in 2017. I, for one, am so appreciative.

Thought pieces:

This Stella Prize podcast ‘Winning Women’ features a conversation between Baileys Women’s Prize for Fiction winner Eimear McBride and 2016 Stella Prize winner Charlotte Wood. It’s a riveting and rich discussion on the work of both writers and gender in writing.

Via the Sydney Writers’ Festival Instagram account and Charlotte Wood, last year’s Stella Prize winner, some inspiring words to finish:

Upon receiving the 2016 Stella Prize, #CharlotteWood recited her five reasons to keep #writing, penned when she considered quitting.
1. To make something beautiful. Beauty does not have to mean prettiness, but can emerge from the scope of one’s imagination, the precision of one’s words, the steadiness and honesty of one’s gaze.
2. To make something truthful.
3. To make use of what you have and who you are. Even a limited talent brings an obligation to explore it, develop it, exercise it, be grateful for it.
4. To make, at all. To create is to defy emptiness. It is generous, it affirms. To make is to add to the world, not subtract from it. It enlarges, does not diminish.
5. Because as Iris Murdoch said, paying attention is a moral act. To write truthfully is to honour the luck and the intricate detail of being alive.

Keep in touch

Quiet Writing is now on Facebook so please visit here and ‘Liketo keep in touch and interact with the growing Quiet Writing community. There are regular posts on creativity, productivity, writing, voice, intuition, introversion, Myers-Briggs Type Indicator (MBTI), tarot and books.

Subscribe via email (see the link at the top and below) to make sure you receive updates from Quiet Writing and its passions in 2017 – including MBTI developments and other connections to help express your unique voice in the world.

If you enjoyed this post, please share via your preferred social media channel – links are below.

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Being ‘Fierce on the Page’ – a book review

October 9, 2016

Fierce on the Page: Become the writer you were meant to be and succeed on your own terms’ by Sage Cohen, Writer’s Digest Books

Fierce on the Page - book cover

I first came across Sage Cohen through her book Writing the Life Poetic which focuses on building poetic voice and putting poetry back into our everyday lives. I also had the opportunity of working on my poetry through Sage’s online classes a few years back. From these experiences, I come to Sage’s works on writing with high expectations of both a pleasurable reading experience and wise, practical advice.

And I am never disappointed. ‘Fierce on the Page’ is a rare and rich read, structured as a series of 75 reflective essays that offer strategies, perspectives and practices to encourage ferocity in writing and in life.

Sage defines ferocity and the fierce writer in her introduction:

The fierce writer ensures that the time and energy she invests in her craft pays dividends of insight and evolution. The fierce writer discovers how to come into his alignment with his authority, leverage his interests, and honour his rhythms, to become the truest instrument of his craft.

From page one of the first essay, ‘You Are Your Best Expert’, I was lulled by Sage’s reassuring voice telling me stories and building on these to make connections. The essays provide a path to navigate the way into writing and into progressing through many aspects of its craft and life.

Each contemplative essay is so thought-provoking. My copy is now full of underlining, connections and possible creations sparked by the reading experience. Sage’s practical business writing background is also woven through the pages. There is a blend of wisdom honed from writing experience of all kinds, along with a grounded sense of what works to bring forward new possibilities and how productivity can be enhanced.

Some of the key strengths of ‘Fierce on the Page’ for me are:

  1. Its associative approach: There is an energy of association underlying each essay. An anecdote or story is told or an experience recounted. These reflections then form the basis of the essay. It’s an evocative reading experience as you are folded into each idea and its applications evolve. This associative approach lends a wise felt experience that makes it easy to engage on a very deep level.
  2. The structure of each essay: Each essay builds from its opening to a realisation or discovery and then a practical application. From there, we are given suggested strategies to apply and questions to dive into to enable us to ‘be fierce’ in our writing endeavours. Woven into this are quotes and references from other creatives that provide prompts and shifts to our perspective.
  3. The poetic language of discovery: As each essay reaches moments where the connections and realisations are crystallised, the language likewise reaches a quiet crescendo of feeling. The learning is expressed sensitively and enacted directly, as with the language of poetry. The images and associations created from this narrative approach make the reading experience lived and heartfelt.

For example, in ‘Write Your Manifesto’, essay #55:

I have come to accept that the writing life is expansive enough to hold my many refractions, and that these add up to the whole of what I have to give.”

In ‘A Bug’s Life, A Writer’s Life’, essay #58:

When you are at an impasse of transition, and your next steps are unclear, follow the words. Trust the words. Trust the cliffs, the canyons, the face flowers. Trust your disorientation and your sense of direction. Trust what you find and don’t find. The shadow gives shape to light. These are your stories. The dance of interdependence is a hum of words.

In ‘Get to the Place of Grace’, essay #63:

Whatever it means to you in your life and your writing, be on the lookout for that lift-off in your words and that landing in your being. Hone your attention to the place of grace where you can feel, know and trust that you and your piece of writing have completed your journey.

Sage’s reminds us that: ‘You have everything you need—and you are everything you need—to do the writing you want to do’. These words provide the gentle encouragement many of us need to begin, to continue or to start up where we left off.

I encourage you to seek out the wisdom and practicality of ‘Fierce on the Page’ as a support in engaging in quiet, resilient writing and in succeeding in where you want to be in your writing. Sage’s books are always on my desk as talismans of encouragement and practice. This special book will stay close at hand, gaining more comments and underlining over the years, as I seek to apply its messages and be fierce with my own writing and life.

Master the Margins

Thought pieces:

You can visit Sage Cohen’s Fierce on the Page website for more information including a community page to share thoughts from the practical exercises in the book.

The interview Mantu Joshi on Writing and Living Fierce is an inspiring example and shows the power and outcomes that can come from living out fierce and committed writing strategies. In this case, it resulted in a book on resilient parenting, written two hours a week over two years.

Other books on writing by Sage Cohen that I recommend are:

Writing the Life Poetic – an invitation to read and write poetry; fabulous for re-engaging with the spirit of poetry in your life.

The Productive Writer – practical strategies and thought processes to increase your productivity and move from ideas to action and outcomes in your writing life. I’ve written a book review of The Productive Writer which you can find here.

inspiration & influence reading notes

Reflections on reading Australian women writers

March 8, 2015


It’s International Women’s Day and I’m sitting here on a sunny Sydney Sunday listening to women’s music on the radio – flipping between Double J and Triple J – and thinking about reading Australian women writers.

It’s my fourth year of participating in the Australian Women Writers’ Challenge and I thought I’d take a few minutes on this IWD to reflect on my experience of reading Australian Women Writers via the challenge.

The challenge is about enjoying, supporting, sharing and promoting Australian women’s writing. If you want to know about the challenge, you can read more about it here: Background to the Challenge. And you can sign up for 2015 here: Sign up to the Challenge.

aww-badge-2015

Started by Elizabeth Lhuede in response to gender imbalance in books reviewed, in reading preferences and choices and in award representation, the challenge has created a groundswell of readers, reviewers, bloggers and tweeters making a conscious choice to read, review, communicate about and celebrate books written by Australian women.

Now in its fourth year, the challenge has resulted in thousands of Australian women writers’ books being read and reviewed and national and international recognition of its quiet achievements.

As the Australian Women Writers’ Challenge blog states:

The Australian Women Writers’ Challenge is part of a world-wide movement to raise awareness of excellent writing by women. It helps readers to challenge the subconscious stereotypes that govern our choice of books to read.

I’ve signed up again in 2015 because it’s now an integral part of my reading choices and I continue to be inspired and excited by Australian women’s writing. I’ve enjoyed diverse reads over 2012 to 2014. There are so many Australian women writers’ works I simply would not have noticed or enjoyed if not for the challenge.

The challenge has made me seek out new Australian women writers, revisit writers I’ve enjoyed and kept my antenna up about their successes, awards and commendations within the circle of women’s writing and beyond.

It’s kept my writing heart alive and is an inspiration as I read; a message that I am also able to write and create, express my stories and find space for my narratives in whatever form. As my heritage, it’s where I can find linkage, possibilities and a springboard for creating. I’ve written about that here and here adding my voice to the space.

In terms of participation, my reading lists are not enormous – around 6 to 7 books a year, but they are steady and growing. I’ve struggled to write the reviews as I would like, but I’ve engaged with the reading and with the AWW community via social media. I’ve contributed that way and made some great online connections with Australian women writers and their readers that have enriched my reading life and beyond.

You can participate to whatever level you can manage and the pleasures and learning are immense for that investment, raising awareness of reading choices and celebrating narratives and works by Australian women and inspiring women to find their voices through reading the voices of others.

It’s no light-weight endeavour. These are to me the voices of creative possibilities and I treasure them.

Here’s my reading list so far:

2012:
Searching for the Secret River: A Writing Memoir – Kate Grenville
Sarah Thornhill – Kate Grenville
When We Have Wings – Claire Corbett
The Light Between Oceans – M L Stedman
Poet’s Cottage – Josephine Pennicott
The Engagement – Chloe Hooper
Disquiet – Julia Leigh

2013:
Fishing for Tigers – Emily Maguire
Sea Hearts – Margo Lanagan
Sydney – Delia Falconer
The Secret Keeper – Kate Morton
The Scrivener’s Tale – Fiona McIntosh
The Longing – Candice Bruce

2014:
Questions of Travel – Michelle de Kretser
Burial Rites – Hannah Kent
Mateship with Birds – Carrie Tiffany
Currawong Manor – Josephine Pennicott
The Fictional Woman – Tara Moss
Claustrophobia – Tracy Ryan
All the Birds, Singing – Evie Wyld

Many of these books were picked up because I was looking for Australian women writers’ books in libraries, shops and online. I possibly would not have read ‘Light Between Oceans’, ‘Poet’s Cottage’, ‘The Longing’ or ‘Claustrophobia’ if not for the challenge and these have become some of my favourite reading experiences of the challenge so far.

I have deliberately read across genres and so if not for the challenge, may not have enjoyed the beautifully science fiction inspired, ‘When We Have Wings’, the Celtic fantasy world of ‘Sea Hearts’ or the weaving medieval narrative of ‘The Scrivener’s Tale’.

I’ve been more aware and more excited when Australian women writers have been nominated, short-listed and won awards for their books and I’ve sought out the books to see why they were celebrated in their achievements, especially ‘Questions of Travel’, ‘Burial Rites’, ‘Mateship with Birds’ and ‘All the Birds, Singing’.

In 2015, I’ve already read the exquisitely tender ‘The Golden Age’ by Joan London and have Annabel Crabb’s ‘The Wife Drought’ lined up to read. I’m keen to read Clare Wright’s ‘The Forgotten Rebels of Eureka’ and also read some writers I haven’t read like  Sonya Hartnett, Geraldine Brooks and Liane Moriarty.

It’s been a rich journey and I encourage you on this International Women’s Day to seek out the voices of women writers that excite and sustain you wherever they may be.

AWW2015

blogging reading notes

Beaches and books

June 11, 2014

at the beachIt’s been such a busy time these past months…this the continuing mantra of my life. And the posts here are so infrequent when I had planned so much more this year.

In between the busyness, beaches and books have sustained me, my Instagram feed has mostly reflected the books I am reading and sights from walks on the beach. (Until recently heading to Japan and that’s another story to come!)

On the beach, walking, the sun setting, the cool sand and the water rushing or lapping depending on the day.

And the books, mostly Australian Women Writers lately though not exclusively – I’ve read Michelle de Kretser’s ‘Questions of Travel‘, Carrie Tiffany’s ‘Mateship with Birds‘ and Hannah Kent’s ‘Burial Rites‘ as well as Elisabeth Gifford’s ‘Secrets of the Sea House‘ plus enjoyed a reread of a gentle favourite, Rumer Godden’s ‘In this House of Brede‘. I’ve eagerly entered these worlds and stayed there for my 30-40 minute train journey on most days.

Both beaches and books have sustained me.

The beach grounding me as it always does, my feet in the sand, the act of walking, the water cooling my thoughts, my breathing calming.

The books keeping me connected to my love of words, my creative heart that is somewhat languishing. The part of me that wants to write more poetry and the novel that I imagine but cannot quite get to that other creative desk of the heart at present.

Words that have come to me lately:

The spirit of her invincible heart guided her through the shadows.

from Gabriel Garcia Marquez’s ‘One Hundred Years of Solitude’, and:

for whatever we lose (like a you or a me)
it’s always ourselves we find in the sea

from e e cummings loveliest poem, ‘maggie and milly and molly and may’.

And my own beach walking poem on this theme:

 Narrative

She starts up high, facing north
towards slow mist,
watching the sea wash
into the rain’s drift below.

She is called to the beach
as if to a baptism, bride-like,
white as the air, stepping
down the rough rock stairs.

She narrates her life,
writes as she walks,
as if the sand and shells are
the bones of her story.

And the pieces connect her:
an imperfect white oval shell,
a fig leaf from a canopy,
the sketched black lines
of a creature’s moving home.

Cool and tight limbed,
she ends in another place,
as if washed by waves,
her contours, clear and shell-lined
as the Borromean grottoes
of Isolabella,
her white shining lights
coming home.

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