fbpx
Category

poetry

creativity poetry writing

Gems #14 Writing Poetry

March 26, 2011

 Some gems on writing poetry whether you are just getting started or an old hand needing inspiration and direction…

Writing the Life Poetic: An invitation to read and write poetry – Sage Cohen

Poetry is often seen as a rarefied art on the fringes of life; even when you are a poet yourself, you can feel like this. Sage Cohen’s Writing the Life Poetic takes poetry from any pedestal it might have ended up on, and brings it firmly back into the central context of your life. The book is beautifully written and gorgeous to hold, with quirky graphics through-out. It feels like you are being taken by the hand and gently led back to the heart of poetry and its rightful place for you. As Sage points out in the introduction:

Poetry gives us an opportunity to experience our lives twice. First, as it happens, in real time. And second, in heart time. The poem gives us a kind of cosmic canvas to savour a moment, make sense of it, put a little frame around it, and digest our experience more completely.

Especially for people who love poetry and might have lost it somewhere along the way, Writing the Life Poetic helps you discover or rediscover the power of poetry, its place in everyday life and how to engage practically with this creative space. The book is full of advice such as starting where you are, showing versus telling, working with the senses, using imagery, reading poetry, understanding how stanzas work, revision, writing rituals, creating a system for poetry practice and so much more. Each chapter is short and focused with  exercises to practically apply the skills and concepts discussed.  It’s like a sensitive guidebook to take you through a deep engagement with poetry from wherever you are starting or recommencing your journey.

Writing Personal Poetry: Creating poems from your life experiences – Sheila Bender

I found this brilliant book in my local library and then had to have it so I could read it more fully and over time. The introduction ‘Poetry is always a good idea’ had me saying, ‘Yes, yes!’ as I read through. Sheila quotes poet Louise Gluck saying that:

writing a poem begins with a haunting, as if the finished poem already exists somewhere. In this way…the poem is like a lighthouse, “except that, as one swims toward it, it backs away.”

Coming from a similar space as Sage Cohen, Sheila Bender situates poetry in the context of daily life, commenting that poets also ‘cook, clean and take out the garbage..’ and then identifies how finding that writing about the ‘lighthouse-that-already-is’ can be part of this daily life.

Sheila’s focus is personal poetry, why we write it, how to empower yourself to write, acknowledging your poetic intelligence, getting the confidence to start, the value of reading poetry, tools for writing poetry and the poet’s stance. There are some excellent poems in progress included in this book from Sheila’s students’ work. They show how a poem progresses from an idea to a draft to a revision to a fully realised piece of work. I loved these students’ poems and what they showed about the progress and realisation of their art. There is much to be learnt from this book: especially heart for the journey and specific processes and techniques for writing personal poetry.

Creating Poetry – John Drury

Creating Poetry  is a little more technical in approach and this a useful complement to the above two books. It’s an accessible introduction to poetic terms like metaphor, assonance, simile, alliteration, rhyme and enjambement. These terms are explained with clear examples. The book also provides an excellent summary of poetic forms and rhyming patterns: ghazal, haiku, pantoum, sestina, villanelle and sonnet, for example, again clearly set out and explained.

The book takes you through the stages of preparation, language, the senses, shaping, patterns and traditions, voice, sources of inspiration and the revising and finishing processes. Full of practical exercises that help you engage as you read, the book is an accessible reference for the more technical side of writing poetry.

All three of these books have a central place on my poetry writing bookshelf and are heavily underlined. They are guidebooks I visit regularly to help me orient my poetic journey, to keep me moving positively ahead and to ensure I have courage and skills for the writing process.

What are your recommended guidebooks for writing poetry?

Image by alexschwab  from flickr and used under a Creative Commons license with thanks: One poem of thousands located on the longest poetry wall in the world in Changde, Hunan Province, China.

Share

creativity poetry transcending

Gems #9 Shining light on yourself

September 27, 2010

Some gems about shining a little light back on yourself…

Just at the same time as Chris Guillebeau is enjoying great popularity with the publication of his book, ‘The Art of Non-Conformity’ , he writes an excellent post shining the light back on his readers. That’s one of the reasons I love Chris and his work: expect the unexpected. I always get such a wonderful blast of fresh thinking and often the reverse of current trends; hence his specialty, ‘nonconformity’, I guess.

In his post, What’s your message? Why not share it? Chris starts by referring to the current trend in social media of talking about others more than yourself. Chris turns the spotlight squarely back:

..ultimately people will follow you because you are doing something interesting, not because you are good at passing on other people’s messages.

A point very well made with much relevance for blogging, tweeting and much of life really:

Be interesting. Be yourself. Do something worth talking about.

Chris then encourages readers to comment about their message. There is much to learn and enjoy in the responses as people focus back on their message and reflect it out again.

Danielle LaPorte’s post on ‘The initiated woman’  shone a light on a very deep place and I knew exactly what she was talking about. It starts with bleeding, vulnerability and giving of the quintessential:

she’s bled from poor decisions that sliced her esteem wide open; and from unguarded boundaries being obliterated; and she’s bled willingly because that’s what you do when people you love are anemic or have been hit by life — you give them your blood. Here, I have lots, it’s fresh and warm. I’ll make more.

And it moves from there to describe a place where the outcomes of experience become a wisdom and strength that can help others. Read it – it is the most beautiful piece of writing. It reminds me of the wonderfully understated words from the song ‘You’re a Heathen of Love’  by Marian Bradfield:

‘Cause experience in a woman never goes astray.

And because Chris says ‘tell us your message’ and ‘be yourself’ and because Danielle says:

She’s so tender she prefers to whisper about her true nature, or write a poem. Abstract. Protected.

…here’s a poem from me. It was written and crafted during my time in Sage Cohen’s highly recommended ‘Poetry for the People’ classes and was featured along with the work of my fellow students on Sage’s ‘Writing the Life Poetic’  blog.

Narrative

She starts up high, facing north

towards slow mist,

watching the sea wash

into the rain’s drift below.

She is called to the beach

as if to a baptism, bride-like,

white as the air, stepping

down the rough rock stairs.

She narrates her life,

writes as she walks,

as if the sand and shells are

the bones of her story.

And the pieces connect her:

an imperfect white oval shell,

a fig leaf from a canopy,

the sketched black lines

of a creature’s moving home.

Cool and tight limbed,

she ends in another place,

as if washed by waves,

her contours, clear and shell-lined

as the Borromean grottoes

of Isolabella,

her white shining lights

coming home.

 

Image, Inishowen Mirror by Janek Kloss from flickr and used under a Creative Commons license with thanks

Share

creativity music & images poetry transcending writing

The touch and reach of poetry

July 18, 2010

I write poetry – true confession. A rarefied art if ever there was one and you wonder why you do it, what calls you, why it defines you, this thing you are so passionate about but hardly ever talk about.

Colleen Wainwright (aka the communicatrix) in a recent post, ‘My narrow, narrow bands of interest and utility,’ discusses the search for a defining way to talk about such life passions and goals and the overwhelming drive to write that is for her a connecting thread:

To my creative intimates—the fellow strugglers in writing workshop, or elsewhere behind the scenes—I share the only thing I know for sure: that I want to write, and that I am doggedly pursuing it, placing structures where they need to be to support it, addressing what obstacles I can see that might be getting in the way of it.’

I relate very much to these words. Poetry and other writing, the urge to create, the sense of this being an underlying connective piece, the pursuing of ways to further its creation and finding the lifestyle that allows and fosters a writing life are all key themes for me. It  is not easy, especially when you have written for a long time and it has not gone very far it seems. Poetry especially can feel like a driven art with not many places to go. It’s easy for it all to go underground for a while in between other things like work and family, but it springs back up eventually. You cannot keep it down forever it seems.

This initiation into poetry started for me in an English class in my second last year of high school at the age of 16. A wonderfully inspired English teacher, Miss Furlong, chose the words of songs by Joni Mitchell, Bruce Springsteen and Harry Chapin to teach us about poetry. We listened to and studied the words of ‘People’s Parties’, ‘Twisted’ and ‘Trouble Child’ from the gorgeous album ‘Court and Spark’ and  ‘Jungleland’ and ‘Meeting Across the River’  from the explosive and gutsy ‘Born to Run’ album. We interpreted these words and we wrote our own poems.

I loved these musicians already, I was good at English, I had started scribbling words like poems already, and whether it was the combination of all this or just the right inspiration at the right time, the words came out – in response and in creation. I wrote a poem called ‘Touch the Earth’ based on an elegant book of the same name, subtitled ‘A Self-Portrait of Indian Existence’ with sepia images by Edward S Curtis and statements by North American Indians compiled by T C McLuhan. I wrote a poem of deep connection with these images and the people portrayed, forming and emerging onto paper in a surprisingly sensitive lyric piece capturing what I had been reading, seeing and feeling.

I got 30 out of 30 for my response to the poetry in song of Joni, Bruce and others and 25 out of 25 for my first full-blown poetic effort. I also received some feedback and a question: ‘I can’t fault this, Terri – your perception is startling – far beyond your years’  and ‘From where did you get your inspiration?’ I don’t know where it came from apart from the book and the connection with the words of songs I loved. I don’t know how I was able to articulate responses about relationships or other people’s experiences I had not directly experienced in any way at all.  But I found, from this writing experience, a way of accessing an inner knowing. I found a way of using the strength and music of language to interpret and understand the world as I was experiencing it. It opened my eyes to another level of feeling and thought, a latent talent, a lens of creativity I could see the world through. It was there already but the connection needed to be made and I was touched by poetry.

Sometimes you wonder where it will all go as you write, as you journey through crafting better and stronger poems and as you try to find a place for poetry internally and in the external world, such as through publication. I am heartened by Ted Kooser’s closing words in ‘The Poetry Home Repair Manual’ (p157):

‘I wish you luck with your writing, friend, and I hope that you’ll write a few poems that someone will want to show to the world by publishing them. Remember that the greatest pleasures of writing are to be found in the process itself. Enjoy paying attention to the world, relish the quiet hours at your desk, delight in the headiness of writing well and the pleasure of having done something as well as you can.’

I love these words. There is much valuable advice about crafting and publishing poetry in this wise and gentle book but I am calmed by the reminder to enjoy the touch of poetry and the moments that it brings regardless of where it eventually goes. The words of Sylvia Plath also echo the pleasure to be found in poetry and remind of the miracles of poetry reaching the people that it does touch:

Surely the greatest use of poetry is its pleasure – not its influence as religious or political propaganda.  Certain poems and lines of poetry seem as solid and miraculous to me as church altars or the coronation of queens must seem to people who revere quite different images. I am not worried that poems reach relatively few people. As it is, they go surprisingly far – among strangers, around the world, even.  Farther than the words of a classroom teacher or the prescriptions of a doctor; if they are very lucky, farther than a lifetime.”

Quoted in Charles Newman (Editor) The Art of Sylvia Plath, 1971, Indiana Uni Press p 320 – from  ‘Context’, London Magazine, no 1 February, 1962, p45-46

What are your reflections on the touch and reach of poetry?

 Image, Dreams by jecate from flickr and used under a Creative Commons license. See Dreams link for poem accompanying the photo.

Share

blogging creativity poetry writing

Being a work in progress

May 26, 2010

Image, La felicità – work in progress by stefozanna, via Flickr, used under a Creative Commons license.

I am reminding myself it is okay to be a work in progress: to begin, to carve and craft as I go, to collect and synthesise, to draft and revise, like forming a poem. It is worse not to begin.

With writing a poem, you capture the image, the association, the string of words that comes in the middle of the night. And from that, you start, draft, craft and revise again. Miss that spark of ignition and you might miss the critical association that could begin your poem. Then, you might hold back from developing it for fear of not achieving the illusory perfected whole poem in your mind.

In a recent inspiring post, Starting with what you have, Chris Guillebeau provides a valuable way to break the feeling of paralysis around starting something: ‘Don’t look at what you think you lack, look at what you have and find a way to make it work.’  He provides some excellent examples about how and where to start for business, writing, art and travel and they are mostly small, focussed, like a kernel, something obtainable or possible.

So I am reminding myself,  it’s okay to be a work in progress, starting with a piece, a step, a chunk, an idea and learning from there. You might need to do some planning, preparation, reading and research to guide how you start and where it leads, but make a start from that essential spark.

Take this blog, for example. I have learnt from reading and watching others and their blogs, from listening to podcasts and reading blogging experts. I have the spark of a connecting idea. I’ve worked it over time, mined it, mind-mapped it, associating and gathering ideas. But starting here each time,  there is more. I am engaging with writing, blogging, flickr, posting, comments and generally putting what I have learnt into practice. Already the connections and response have been beyond my dreams. I have talked about stars and their shining light and I feel very illuminated. Where the light goes and what it illuminates is another thing, but it’s out there, into the dark, an offering.

Not starting is about a lot of things: a desire for perfection, what Danielle LaPorte in an article in fear.less calls a fear epidemic: ‘Everyone is struggling with the same thing: ‘fear of being his or her true self’, a lack of authenticity and all this becomes a form of resistance that can develop a perfectly normal appearance that absolutely freezes you. Creative work suffers from this incredibly and can seem unnecessary or frivolous. You wonder why you would do it and undermine your own creative thoughts and plans.  

Apart from finding a small way to chunk your start and become a work in progress, Steven Pressfield, in the final words of his wonderful book about resistance ‘The War of Art’, suggests that starting is a responsibility: “Creative work is not a selfish act or a bid for attention on the part of the actor. It’s a gift to the world and every being in it. Don’t cheat us of your contribution. Give us what you’ve got.”

So let’s get that work in progress. Before you know it, the posts are connecting around a theme you can stitch together into some larger work; the poems you are posting could become a self-published book and in any case, you realise, more people are reading them this way; you find you are writing a novel or a memoir through what you post; getting your photos up there makes you start thinking in images again; you find a  reason to write and that breaks the hiatus of many years; you find a business idea developing from the responses coming back to you; you create a creative course to get people writing or moving through something. Suddenly you are moving, not frozen.

So what are you considering starting? And what happens if you don’t?

Share

family history love, loss & longing poetry transcending writing

Welcome to ‘Transcending’

May 2, 2010

‘Transcending’ is an exploration of the ways that we rise, overcome, climb across and pass beyond.

It celebrates the extraordinary power of the ordinary self in creativity, writing, in love, in the workplace and in our family contexts, such as our family history and what it means. It is about  resilience, grief, love, loss, longing and the resonating shapes and forms we make to deal with this and move on and through. It’s about constructive approaches at work – strategies that cut through, synthesise and provide solutions. And it’s about images, structures, texts and ways of thinking that makes this possible.

This theme resonates and connects for me in all spheres of life and I hope connects and resonates with you also.

Join me in this journey as it unfolds. Some of the areas I hope to explore are:

  • writing as a way of transcending and moving through
  • my own creative journey as a writer
  • poetry and the shapes and structures we find to manage our emotions
  • music and images as vehicles for experiencing and managing feelings
  • family history and its stories of how we connect and experience life
  • constructive leadership behaviours and strategies
  • reading and reflections on transcending
  • connections with other writers and thinkers on this theme in all its guises

NOTE: This post is from my first blog Transcending which is intact within Quiet Writing (for now) as a way of showing my progress and path.

Keep in touch + free Reading Wisdom Guide

You might also enjoy my free ‘Reading Wisdom Guide for Creatives, Coaches and Writers‘ with a summary of 45 wholehearted books to inspire your own journey. Just pop your email address in the box below.

You will receive access to the Wholehearted Library which includes the Reading Wisdom Guide and so much more! Plus you’ll receive monthly Beach Notes with updates and inspiring resources from Quiet Writing. This includes writing, personality type, coaching, creativity, tarot, productivity and ways to express your unique voice in the world.

Quiet Writing is on Facebook  Instagram and Twitter so keep in touch and interact with the growing Quiet Writing community. Look forward to connecting with you and inspiring your wholehearted story!

PRIVACY POLICY

Privacy Policy

COOKIE POLICY

Cookie Policy