love, loss & longing

inspiration & influence love, loss & longing

The unique voice of what we love

November 30, 2016

A way forward is to find the unique voice of what we love, whether it be through journals, poems, speeches, blog posts, conversations, novels or any scribbled piece of the heart.

Recently I drew the ‘Bone Collector’ card from Colette Baron-Reid’s The Enchanted Map Oracle Cards.


I don’t know about you but this image evokes lots of different reactions in me. It sounds a little grim and the bones hanging about are a bit confronting but there’s smiling and a sense of richness. My initial  feeling – there’s much to work through with this card.

The overall message of the card is positive and reminds us:

You are whole and have everything you need within.

However, there is a dark side about what is buried and casting shadows. The Bone Collector particularly focuses on life experiences when young and how we can become wounded and feel less than, damaged in some way. The wounds can dive deep beneath the surface. We may not talk about them or even be aware we are acting a certain way because of them. We may feel essentially flawed. There’s a message about the Bone Collector as an inner resource to help us to “reclaim lost or stolen power”.

Speaking up to let love live

Not long after, I was working with Alana Fairchild’s Sacred Rebels Oracle Deck, when this card came to light, developing that same theme:

release the dark wound

This card reminds us:

You are being asked to honour the path of your own love – what inspires you, what feels exciting, joyful and perhaps even rather different? Let that live! Release the dark wounding of false belief.

And a key way this ‘false belief’ plays out is as a tendency to perfectionism where our ideas and thoughts wither on the vine and do not even make it to formation or light. The dark wound especially “demands perfection and denies process”.

What a tragedy of spirit this is.

A way forward is to find the unique voice of what we love, whether it be through journals, poems, speeches, blog posts, conversations, novels or any scribbled piece of the heart. Every word, every piece, should be a fight back, a healing process, a spiritual journey to uncover our possibilities and potential.

And part of this is knowing it is all already within us if we can only be kinder and more trusting with ourselves and let our ideas live.

Discovering our unique voice

The New Moon in Sagittarius is gently beaming energy into these dark places too right now. Mystic Mamma has a fabulous New Moon post which brings together key messages about the moon energy and how to work with it.

The words that spoke to me, reflecting the spirit of Quiet Writing, are from Patricia Liles:

It may also be pushing you to take care of yourself in ways you never were able to see before. Speaking up for those parts of your self that have not had a voice before.

There’s a whole raft of reasons why these parts of ourselves have not had a voice before: time, distractions, pain, fear and dominant discourses where these voices just don’t seem to fit or be heard.

But as Colette Baron-Reid reminds us (via The Enchanted Map #47 Sacred Pool – reversed):

Dimming your light serves no-one

We need to value process and not silence ourselves with concerns about product and outcomes. We need to challenge that perfectionist part of us that won’t let ourselves shine and or even turn the light on in the first place. We need to quiet those voices that stem from ‘comparisonitis’ and feeling envious, less than or better than. You can easily see there is nothing to be gained from going there and there are no winners in this intellectual warfare. So why is it so compelling that we go there, allowing it to deny our unique abilities so savagely?

Time to collect the bones

It’s time to collect the bones and honour them. It’s time to release the dark wound, like returning a fish to water to enable it to swim, upstream if necessary, into the sacred pool where we accept what we love and find a voice for it.

With my natural creativity to guide me at this time, I’m digging deep into wounds and possibilities, knowing that I have so much to give, as we all do. This collecting of the bones is about not being afraid to go there and being able to speak out and not worry about what other people think. There’s been too much silence.

And a key part of this digging is hearing my voice now weaving spirit into words – finding the broken pieces to heal them, holding on to words like fins that can propel me and linking with other kindred souls also now speaking up.

The advice from the Bone Collector is:

Act as if you have what you need and you’ll find you have it after all. Anything is possible.

Even the strength and ability to collect those bones, to honour those wounds and to speak up and in doing so, find that unique voice that others may recognise.

unique voice of what you love

This image is from pexels

Thought pieces:

Reviving the Ancient Sisterhood is an excellent article that came to me via the sisterhood at The Mojo Lab’s Inner Circle. The article focuses on feminine wounding, women’s collaboration and community as a healing force, archetypes, traditions and sacred aspects of women’s connections including equality and mastery of expression.

Psychoanalyst Karen Horney wrote extensively on these issues many years ago including the impact of such dynamics on women’s sense of self. Marcia Westkott’s The Feminist Legacy of Karen Horney offers an analysis of this work:

In breaking through the inner fear, in embracing what she has dreaded, the female hero shatters the internal form of her victimization. External shoulds are driven from their internal stronghold, and conscious choice rather than fearful compliance informs her actions. She experiences, finally the extraordinary power of her ordinary real self.



creativity love, loss & longing poetry

Poetry into the light: Sapphire

October 25, 2016


Letting go the lovely images
I watch them slide
out to this sapphire stretch
of water, your eyes riding
sometimes between the waves,
grass catching in the dark
lines of your hair,
silver turning into grey,
translucent with the sun’s
invitation upon your warm skin.

Can you feel your body
superimposed here
upon the landscape,
your face,
the varied impressions
I study?

Sometimes between the sound
of the waves curling
and the calls
of birds catching in the wind,
I can almost hear your voice
inflecting the most
commonplace words,
marking my stare
as the blue of the ocean

Thought pieces:

Experience October 2016:

This post had its genesis in Experience October 2016, initiated by Rae Ritchie and mostly taking place on Instagram. Sapphire was the prompt for day 12. Some prompts take you to a moment in time on a given day; some take you much deeper as this one did, back to this poem written many years ago. It’s been good to brush it off and bring it into the light. Thanks Rae for a thought-provoking and inspiring October and for this creative nudge especially. You can go to #experienceoctober2016 on Instagram for more creative inspiration and connection.

Poetry into the Light:

A key focus in Quiet Writing is bringing poetry into the light: the writing of it, the celebration of it, the reading of it, the sharing of it. Poetry is often the quietest writing of all – unseen, unheard, but the lifeblood of so many of us especially at difficult and threshold times.  You can read more about my thoughts on this here: Poetry into the Light. I’m still working out how to do all that here but have shared quite a few of my poems here along the way. I am less inclined towards chasing the submission/rejection and formal publication process at present and leaning more to sharing here and self-publishing. With social media and online creative links, I think poetry has the opportunity to reach more people that way. I look forward to sharing more here and connecting with other poetry writers and lovers.

Recommended poetry blog:

On that note, I recommend Claireylove: a Poetry Shaped Life – the beautiful blog by my online creative buddy, Claireylove.  I love how she is sharing her poetic works and creative endeavours. Here’s a quote from Claireylove’s blog to round off our thoughts here:

Poetry is about connections and their ambiguity: how meaning, sounds and images create associations and how these associations are interpreted. Writing poetry can help us to make connections about the events and patterns in our lives. It strengthens our intuition and satisfies our souls’ deep need for spiritual meaning.

I so agree that poetry is about connections, intuition and spiritual meaning. One of my Core Desired Feelings  is ‘connected’; others are ‘poetic’ and ‘intuitive’…..all such lovely words that coalesce so well.

So do please connect here and tell me your thoughts about poetry and bringing it into the light, I’d love to hear your thoughts!

love, loss & longing transcending

This past week, this year

December 23, 2014

IMG_0869This past week was long and difficult. Monday last week started as it usually does – off to work, getting organised for the week and at this time, getting ready for Christmas celebrations and a final busy week before winding down for the festive season.

About 10am on that Monday, everything changed with the news of the siege close by in the Lindt Cafe in Martin Place. Like many other Sydney workers, I found myself in lockdown, then being evacuated, then unable to return to the workplace.

And emotionally connected to the unfolding events.

The overwhelming feelings were of horror for the hostages and intense terror for their helplessness and fate. Like much of the country, I watched for hours into the night, breath held in a surreal landscape of fear of what might happen.

The early hours brought the news of the tragic outcome.

In the following days, the mood has been sombre, a different atmosphere on the train into the city, a sense of collective sadness. The flowers cascading their way down Martin Place reflecting this.

Many of us, it seems, have in our individual ways reflected, been touched, reassessed much.

For me, the return to my office and buying my morning coffee filled me with sudden and overwhelming emotion. The ordinary every day action of so many Sydney-siders suddenly poignant in the aftermath.

The sense of vulnerability, that it could have been me or so many people close to me. The harsh reality of its randomness.

The collective response has been heartening though sad: the growing sea of flowers reflecting the grief of so many individuals pieced together; the emerging sweet fragrance in the air; the multi-faith ceremonies and statements of support and the solidarity across religious boundaries that re-emphasise that we are all one community; the wave of support for Muslim women and others possibly affected by intolerance arising from this event.

IMG_0856I have engaged with Susannah Conway’s December Reflections, 2014 this month. It has been a wonderful opportunity to reflect on the year and as always with Susannah’s initiatives, a chance to reignite our own creativity and look around us with new eyes.

At the end of the week, the day 20 prompt in December Reflections was “this year was…”. I have to say this year has been intense for many reasons. But as the events of recent days have reminded me, there is much to be thankful for: supportive and loving family, friends, work colleagues; having a beautiful city in which to live and work; summer arriving; creativity always; books to read; maybe books to write; and the power of collective feeling..

This year and these past days have reminded me of what is of value.





introversion love, loss & longing poetry

People hide their love

July 28, 2013

Flower in the karst landscape, Co ClareWhen I was in high school, I used to travel to stay with a friend and her family at a little cottage high on a hill overlooking beaches on the south coast of New South Wales. It was a wild place, wind-swept and exposed; you could sit on the bed at the back of the house and see hang-gliders cruising past like coloured seagulls surfing the wind’s current.

The house smelt of kerosene lamps, wooden floor boards and that not disagreeable but musty smell of holiday houses. Above all it was homely. There were books, blankets, beds and beaches. You could lie on the bed and read and sleep. There was nothing you absolutely had to do.

In that house, in those holiday breaks, I discovered something of the essence of poetry. I found an old edition of ‘170 Chinese Poems‘, one of Arthur Waley’s books of translation of Chinese poems, originally published in 1918. In there, I found what has since been one of my favourite poems, ‘People Hide Their Love’:

People Hide Their Love
By Wu-Ti, Emperor of the Liang Dynasty (AD 464-549)

Who says that it’s by my desire,
This separation, this living so far from you?
My dress still smells of the perfume that you wore;
My hand still holds the letter that you sent.
Round my waist I wear a double sash;
I dream that it binds us both with a same-heart knot.
Did you know that people hide their love,
Like a flower that seems too precious to be picked?

This poem, these words, have stayed with me over the years like an underlying theme. I owe to them, to Arthur Waley’s book of translations I found in that musty holiday house, my love of poetry. It was about this time that I started to write. I was not aware at the time but these words and the spare and simple beauty of Chinese poetry stitched their way into my heart.

I don’t even know what it all means that people hide their love. I do know that there are reasons why we might hide our love: circumstance, loss, not knowing if our love will be reciprocated, just not finding the time until it is too late, not knowing if it is the right thing to do or say, not knowing if it is the right person, not knowing if we are good enough, or so we say to ourselves. And through all this, there is a sense of intense longing that this poem so delicately captures.

Perhaps my love of poetry also is something I hide. I don’t talk about it, like it’s some rarefied jewel or hidden piece of me, sometimes held a little too preciously. I let it languish and there is a distance I feel from it despite it being the essence of me. The poems I have written over many years are the heart of me and yet feel so far away.

Perhaps there is something there also of not knowing if it is the right thing to do, if I am good enough (or so I say to myself), if there is really any point, of who will read these pieces of my heart anyway and what does it really mean to be a poet. And for these reasons, the distance can grow across the years with some time before anything else is written or said.

Perhaps we hide our love of valued things like poetry as well as people because it is too much for us, too precious, or we feel a sense of not being up to them. Sometimes this might be out of our control due to circumstance; sometimes we might impose this on ourselves, this hiding of our love becoming potentially a loss of ourselves and to ourselves and what we might otherwise be or create.

Why are we not saying what we think, what we feel, to people? Why are we not writing the poems that are in our hearts?

You can see why this quiet poem can be the voice of a lifetime.


love, loss & longing

I am not resigned

July 21, 2013

More precious was the light in your eyes than all the roses in the world.


This week, two funerals within five days. They are both people very much loved and close to people I love and am close to.

And I feel the pain. Having been so close to this space, I feel it keenly. It’s a place I  have inhabited: I know the sharpness, the shock, the unreality, the sweetness of feeling, so full of love and loss concurrently.

This poem by Edna St Vincent Millay captures for me that rawness of death, the shock, the denial, the rejection of the idea that I still feel. In that, it celebrates love. It’s the poem I placed on my brother’s grave the first time I went back after the funeral, with flowers in my hand and that overwhelming sense of helplessness in my heart.

Dirge Without Music

I am not resigned to the shutting away of loving hearts in the hard ground.
So it is, and so it will be, for so it has been, time out of mind:
Into the darkness they go, the wise and the lovely. Crowned
With lilies and with laurel they go; but I am not resigned.

Lovers and thinkers, into the earth with you.
Be one with the dull, the indiscriminate dust.
A fragment of what you felt, of what you knew,
A formula, a phrase remains,—but the best is lost.

The answers quick and keen, the honest look, the laughter, the
They are gone. They are gone to feed the roses. Elegant and curled
Is the blossom. Fragrant is the blossom. I know. But I do not approve.
More precious was the light in your eyes than all the roses in the world.

Down, down, down into the darkness of the grave
Gently they go, the beautiful, the tender, the kind;
Quietly they go, the intelligent, the witty, the brave.
I know. But I do not approve. And I am not resigned.

Sometimes poetry is almost the only solace.

love, loss & longing

Farewell Maisie girl

June 30, 2013

What you taught us:

Go to the beach
Stand in rock pools, feel the water and look out
Take a walk whatever the weather and be excited by it
Life is a minute to minute adventure
Stop to smell and sense the detail
Just be quietly close by when anyone is feeling sad or sick
Greetings are important and show how much you love
It’s okay just to be your beautiful self

I am sure there is more and this will evolve in our learning from you. But in these days of raw and recent grief for you, Maisie, these thoughts are the most immediate.
You taught us so much and we often didn’t realise it.

You will be very much missed.
OLYMPUS DIGITAL CAMERAThese beautiful photos are by my daughter Caitlin. Fortunately, Maisie loved the camera and Caitlin is a gifted photographer so much to reflect on.

creativity love, loss & longing transcending


July 16, 2012

Restart and reboot yourself

You’re free to go…

Shout for joy if you get the chance

Password, you, enter here, right now’

  from ‘Unknown Caller’, U2

It was a small, old, blue, beach cottage, up the coast, hidden in trees, shells everywhere suggesting a time to be spent collecting yourself. The cottage even had a name, ‘Chill-out’, written in shells and hanging on the lounge room wall.

There were magazines, books, TV, DVDs, day beds. There was no network connection, no phone line, no internet. You could hear the roar of the sea’s thunder from the back room open out onto the air.

It was also across the road from where my parents used to live for some 15 years, before they moved back to the city about eight years ago. Since then, my brother and father have died, and I was bringing my mother back to where she lived before all this, back to happy places and old friends. My aunty also was with us; she lost her husband six weeks before my dad died. We had all come to visit and stay in this little town for most of our lives. And so we returned, and lots of thoughts came along with us, of people we loved who had also loved this place and who came here to recharge and unwind.

Having no internet was challenging. Life is all so very connected and I realised this past week how dependent on technology I am. Apart from the obvious work reliance on email, I have a strong need for personal connectedness it seems. I read the papers on the net; do sudoku and crosswords; connect with family, colleagues, friends and fellow bloggers and online friends who value creativity, reading and writing as much as I. I read a book and find out more about it online; I connect through Goodreads and find out more about the author. I find out what’s happening in the world through the news in my twitter feed. I research online content to inform my writing and read a huge range of blogs through feedly.

I write a blog, I create content, choosing as my focus ‘Transcending’ and dealing with love, loss and longing, strengthening yourself through reading, music, writing, strategy and productivity, whatever it is that gets you through, takes you up and onwards. I connect with other creative people through this and am keen to progress my blog writing during the week away. I find that without the internet, I can’t connect the parts, do the research, create the images, and even instagram fails to work.

So I take photos on my iphone. I enjoy the company of my family; we eat, we drink, we relax, we walk through a canopy of trees on a boardwalk beside the beach, we read, do sudoku, play scrabble, catch up with our old neighbour, now a sparkling blue-eyed 86 years young. We reminisce, we talk about those not with us any more as the place brings them back into our conversation and our lives.

I take two books to read that week that both turn out to be about the presence of those not there any more in the physical sense. ‘Poet’s Cottage’, by Josephine Pennicott, set in Tasmania, is all about family, ghosts, old houses and their history and the interplay between them. As reviewer, Elizabeth Storrs, comments, ‘If you ever have doubts as to whether ghosts exist, then you should visit Tasmania.’ This is true – I’ve felt this when travelling there, in old houses where you can feel a strong presence of others no longer there. ‘Poet’s Cottage’ was an atmospheric read about the past and its influence on the present.

Then I read Anne Tyler’s ‘The Beginner’s Good-bye‘ in which the main character, Aaron, loses his wife when she is struck down by a tree. He starts to see her again and have conversations with her, never sure if they are real or not. Through this, he begins to re-establish a new and different life.

It was only last night, coming home and reflecting on the week, that I realised my head was fully engaged in reading about the presence of those not there any more, of reflecting and moving on.

When we got home last night, our ipads were not connecting to the wi-fi. To get mine to work, I turned off and rebooted, suggesting to my partner, “Sometimes you just need to restart to make all the connections again.” Even when the words come out of my own mouth, I don’t get it straight away. The universe must think me so slow.

So today with time to reflect on a deeper level and stumbling across the words above from U2’s ‘Unknown Caller’ in one of my notebooks, I finally gather together what the week was about: the opportunity to turn off some of the input, unscramble the data, to recalibrate and reboot, knowing I have the password and the resources to shift up and on to what matters, with the love of those who have left us, still ringing in our memories, somehow cheering us on.


Full review of ‘Poet’s Cottage’ coming soon as part of the Australian Women Writer’s 2012 Reading and Reviewing Challenge.

love, loss & longing poetry

Poetry: Optical Illusions

July 1, 2012

Personal poems recount lived experience so it is re-felt, but with resolution, rising above the tragic.

Writing Personal Poetry,’ Sheila Bender, p4

Sometimes, eyes can play tricks. What seems solid and tangible is only a shadow, possibly your own. You try to get hold of what you love, but it fleets downstream. You choose a setting, you hold a camera, you level a fixed lens, you get just the right aperture and the shutter clicks firmly. You have a perfect image, but not the original you desired. At least you have that image to hold onto for a long time afterwards. Even then, it can still play tricks, watching you, reflecting the light this way and that, catching a smile, wandering and jagging like a fishing line pulling at something, possibly your heart.


Every night that river chased dreams
like sleek fish
running from the echo
of sleep.

Rivers seem so simple now:
just filling themselves
no emotion to speak of.

You stood in a doorway,
I took a photo,
and there was a river
dancing behind.

You, the one clear eye
I craved and strived to
capture neatly in a
single frame.

That horizontal string
of sparkling promise
you always offered,
that river I can still taste.

love, loss & longing poetry transcending

That you couldn’t feel

June 10, 2012

My younger brother died tragically five years ago this coming November. His death changed the face of my world, and that of many others, forever.

Not. a. day. goes. by.

It’s especially when the sun is shining in a beautiful place where I happen to be, on a day when I have felt the greatest sense of achievement at work, when a song I love is reaching me and making me smile, that I feel his presence.

The beauty and achievement collides with this presence and then the sense of absence comes, keenly and sharply.

I have learnt to live with these moments. I have learnt to learn from them. But still they catch me, not unlike the moment when I found out about his death. The stillest moment of absence against a day of pure sunlight and the greenest of trees. Me sitting there unable to move, still trying to take it in. After all this time, I have learnt that you really never fully can take it in; you just keep trying.

Reflecting on this has made me search for the poem that came resonating back in recent days, the quintessential poem that equates such joy and sorrow, such beauty and pain. It is John Keat’s ‘Ode on Melancholy‘ and it captures the feeling of where the saddest feelings so closely align with joy and beauty, as if the extreme counterpoint brings the other into play.

So it is for me: sometimes I go deeper into the sadness as below, feeling it or thinking about what it means; other times, I celebrate the beauty I am experiencing, my achievements or  happiness and think of how it relates to my brother, our family, our achievements and our happiness over the years before all the pain and that makes me smile.

That you couldn’t feel the possible beauty

of this sunlit day, beside the harbour,
by the edge of the aquarium,
the sails of yachts lashed with gold
like the promise of the treasure,
of another day, buried, while
the lean bodies of dark fish move past.

That you couldn’t feel the possible beauty
that night, of a small shard of hope,
a tendril of smooth glass to hold
to cut through past midnight,
to something like the chance
to hear again a song you loved.

That you couldn’t feel the possible beauty
of the ordinary flags of another day,
rainbows littered around,
scraps of coloured paper you could
write a life on, strung together
to harmonise the way.

That you couldn’t feel the possible beauty
of this very ordinary day now
finds me sitting by the harbour
as I bathe in the brightest warmth of light:
your absence shouting from the sparkling seas
and speaking from each body fleeting past.

love, loss & longing transcending writing

First Anniversary of ‘Transcending’

May 3, 2011

Does a blog have a birthday or an anniversary? Following the communicatrix and others, I’ll go with anniversary. In this case, it’s the first anniversary of ‘Transcending’, a significant milestone. So what did I start out to do on May 2 last year? After much research, reading and thinking, I decided that ‘Transcending’ was my theme. And it still is. Sometimes I wonder, for sure, and I still need to do more work to build this theme and this platform; but I know that transcending is it, that it is relevant to so many people and that I need to keep mining it, milking it and keep that vein of possible riches flowing.

It’s been a huge battle at times. I’ve managed nearly a post a week on average and given the demands of my day job, seven weeks’ overseas travel, my daughter’s final year of school, a couple of operations and other dramas, that’s not so bad. I could do better, but it’s an achievement, all taken into account. The main thing is that I kept at it: writing, researching, tuning in and reading to others, synthesising and reflecting.

And as the communicatrix says so eloquently in her sixth anniversary post, it’s really all about writing:

What I’m trying to say, albeit rather clumsily, is that a lot of the time, the reason to write is just that—to write. You can write to promote yourself or write to make money or even write to find yourself but ultimately, you write to write. To be able to keep on writing. To be able to keep on getting better at writing. To be able, god willing, to write long enough that you write well enough to actually say something that will live on after you are no longer there to write.

But even if you don’t, even nobody reads your writing while you are alive and all your writing dies with you, if you are a writer (and maybe even if you are not), you are the better for having written.

Now, write.

That’s an important motivator for me: writing itself, the value of it, the process and the product. It’s what my working life has also been about.  I’ve been happy with what I’ve written here and how I’ve found a voice here over the past year. It’s a voice that can do much more and stretch itself out a little now. I do know that the feeling of having written here, once I get through the resistance and work it through, is like birds soaring in the clearest of skies. One of my earliest posts, ‘The value of howling into the wind‘ captures this in a way I am proud of and still has the  most hits of all my posts so clearly strikes a chord.

It is also the second anniversary of my father’s death today. His death and my brother’s tragic death in November 2007 are key motivators for this theme: one transcended in many ways in a sometimes difficult life and the other, also an incredible achiever, did not make it through one night. It is for these reasons, and the grief that goes with them, that transcending has become a theme in my life.

It’s why I write about transcending and resilience: working through, rising above, moving beyond, climbing across whatever is difficult or challenging. It’s not so I can look down on anyone else or feel superior in any way; that connotation sometimes worries me. It’s so that I, and you through reading and engaging, can work through, create, connect, be productive, strategise and achieve success in whatever is important: writing, grief, work, blogging, creativity, family contexts, planning and progress. Cut through and move on to the next challenge with the support of all those bloggers and other writers and creatives out there who are similarly focused on their life’s work and next project.

So what did I say I was going to do here 12 months ago? Here’s my first post:

‘Transcending’ is an exploration of the ways that we rise, overcome, climb across and pass beyond.

It celebrates the extraordinary power of the ordinary self in creativity, writing, in love, in the workplace and in our family contexts, such as our family history and what it means. It is about  resilience, grief, love, loss, longing and the resonating shapes and forms we make to deal with this and move on and through. It’s about constructive approaches at work – strategies that cut through, synthesise and provide solutions. And it’s about images, structures, texts and ways of thinking that makes this possible.

This theme resonates and connects for me in all spheres of life and I hope connects and resonates with you also.

Join me in this journey as it unfolds. Some of the areas I hope to explore are:

  • writing as a way of transcending and moving through
  • my own creative journey as a writer
  • poetry and the shapes and structures we find to manage our emotions
  • music and images as vehicles for experiencing and managing feelings
  • family history and its stories of how we connect and experience life
  • constructive leadership behaviours and strategies
  • reading and reflections on transcending
  • connections with other writers and thinkers on this theme in all its guises

Reflecting back, it’s still spot on and it’s what I have focussed on. I can do more to hone my platform and that’s a challenge I welcome. I’ve revamped my page recently and it’s whiter and brighter: a new theme, Linen, to usher in a new year. Like my theme, there’s more to learn with the technology but I’ve also loved that learning over the year: learning wordpress, flickr, managing RSS readers, linking, taking photos and everything else that goes with a blog.

It’s been a wonderful journey this past year and I thank all those who have been here with me and visited. I also thank my inspirational guides and leaders in this online space, my seven stars that continue to be guides and fellow travellers in so many ways. I look forward to the next year with a sense of brightness and light. I hope you will join me here also in the shedding of that light.